Bare Life: Bacon, Freud, Hockney and others. London artists working from life, 1950-80
Details
        
                            
                            
                            
        
                                                    Publisher:
                                                    
                        
                                                    Munich:                                   Hirmer
                                                                                                                
                        
                    Year:
                     2014
            
                    Language: English                
            
                    Pages: 257
                
            
                    ISBN/ISSN: 9783777422541
                
            Contents
            Hermann Arnhold, Foreword, pp. 7-9                    
                                    Andrew Brighton, 'Explaining Pictures to a Living Heir', pp. 12-17                    
                                    Tanja Pirsig-Marshall, '"The Human Image in our Time". The reception of British figurative art in Germany', pp. 18-29                    
                                    Lee Hallman, '"This Raw Thing". Picturing London, 1945-80', pp. 30-35                    
                                    Invar-Torre Hollaus, 'The Resonating Space Between Paintings and Viewers. Phenomena of perception in the portraits of Francis Bacon, Lucian Freud and Frank Auerbach', pp. 36-46                    
                                    , 'Setting the Scene. Returning Art to Life', pp. 47-76                    
                                    , 'Pinning Down Reality. Materiality and Representation', pp. 77-105                    
                                    Eckhart J. Gillen, 'Why not Paint one's own Life? David Hockney and R.B. Kitaj at the Royal College of Art, c.1960', pp. 106-113                    
                                    Lynda Morris, '"The Impersonal Eye of the Camera"', pp. 114-120                    
                                    , 'Addressing Popular Culture and Inventing Personal Styles', pp. 121-140                    
                                    , 'Studio Thinking', pp. 141-167                    
                                    Colin Wiggins, '"This is the Family from which we Spring". The National Gallery collection and post-war British painting', pp. 168-173                    
                                    Catherine Lampert, 'Painting from Life. "A long affair with objects, images, appearances, sensations... the passions"', pp. 174-188                    
                                    , 'Finding a Likeness that is Truthful', pp. 189-218                    
                                    , 'Elegies and Enlightenment', pp. 219-241                    
                            Number of artworks illustrated
                
                                            10