Francis Bacon: The Logic of Sensation

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 54, 55, 103, 114

45-05 Figure in a Landscape, 1945; pp. 3, 114

46-01 Figure Study I, 1945 - 1946; pp. 3, 114

46-03 Painting 1946, 1946; pp. 12, 17, 21, 47, 103, 109-111, 114

49-01 Head II, 1949; pp. 3, 114

49-07 Head VI, 1949; pp. 1, 12, 115

50-02 Fragment of a Crucifixion, 1950; pp. 19, 115

52-01 Study for Crouching Nude, 1952; pp. 22, 115

52-04 Landscape, 1952; pp. 3, 115

52-12 Study of Figure in a Landscape, 1952; pp. 3, 115

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 20, 21, 42, 115

53-03 Study for a Portrait, 1953; pp. 21, 115

53-06 Man with Dog, 1953; pp. 4, 22, 115

53-23 Three Studies of the Human Head, 1953; pp. 21, 36, 54, 59, 115

53-24 Two Figures, 1953; pp. 47, 115

53-27 Sphinx, 1953; pp. 86, 116

54-01 Two Figures in the Grass, 1954; pp. 3, 47, 115

54-15 Pope, 1954; pp. 21, 36, 116 (dated '1955')

55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 18

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; pp. 18, 116

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; pp. 18, 116

55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 18

56-07 Man Carrying a Child, 1956; pp. 29, 116

56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 18

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; pp. 20, 42, 116

57-10 Study for Portrait of Van Gogh II, 1957; pp. 3, 29, 116

59-06 Lying Figure, 1959; pp. 17, 116

59-13 Miss Muriel Belcher, 1959; pp. 105, 116

60-05 Pope No. 2, 1960; pp. 19, 103, 104, 116

61-02 Reclining Woman, 1961; pp. 17, 117

62-04 Three Studies for a Crucifixion, 1962; pp. 17, 19, 53, 55, 103, 104, 117

62-11 Turning Figure, 1962; pp. 29, 117

63-01 Lying Figure with Hypodermic Syringe, 1963; pp. 12, 17, 117

63-02 Man and Child, 1963; pp. 49, 106, 107, 117

63-12 Three Studies for Portrait of Henrietta Moraes, 1963; p. 131

64-09 Three Studies for Portrait of George Dyer (on light ground), 1964; pp. 41, 105, 117

64-10 Three Figures in a Room, 1964; pp. 54, 56, 117

65-01 Crucifixion, 1965; pp. 17, 19, 53, 54, 55, 104, 117

65-02 After Muybridge - Woman Emptying a Bowl of Water and Paralytic Child on All Fours, 1965; pp. 29, 117

66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; pp. 29, 118

66-05 Three Studies for Portrait of Lucian Freud, 1966; pp. 1, 2, 4, 56, 106, 118

66-06 Study of Isabel Rawsthorne, 1966; pp. 30, 118

66-09 Portrait of George Dyer Talking, 1966; pp. 1, 118

66-15 Portrait of George Dyer Riding a Bicycle, 1966; pp. 29, 118

67-01 Three Studies for a Self-Portrait, 1967; pp. 41, 105, 118

67-08 Four Studies for a Self-Portrait, 1967; pp. 41, 105, 118

67-09 Three Studies from the Human Body, 1967; pp. 11, 104, 118

67-13 Portrait of George Dyer Staring into a Mirror, 1967; pp. 13, 104, 106, 118

67-14 Portrait of Isabel Rawsthorne Standing in a Street in Soho, 1967; pp. 105, 118

67-15D Portrait of George Dyer and Lucian Freud, 1967; pp. 29, 118

67-16 Triptych, 1967; pp. 19, 54-55, 118

67-17 Three Studies of Isabel Rawsthorne, 1967; pp. 10, 118

68-01 Three Studies of Isabel Rawsthorne, 1968; pp. 41, 105, 119

68-02 Two Studies of George Dyer with Dog, 1968; pp. 16, 119

68-05 Portrait of George Dyer in a Mirror, 1968; pp. 13, 119

68-07 Two Studies for a Portrait of George Dyer, 1968; pp. 36, 119

68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 17, 44, 53, 56, 103, 119

69-03 Lying Figure, 1969; pp. 17, 119

69-04 Study for Bullfight No. 1, 1969; pp. 9-10, 30, 103, 119

69-05 Study for Bullfight No 2., 1969; p. 30

69-07 Three Studies of Lucian Freud, 1969; pp. 1, 2, 119

69-12 Study of Nude with Figure in a Mirror, 1969; pp. 10, 119

69-14 Second Version of Study for Bullfight No. 1, 1969; pp. 9-10, 30, 103, 119

70-04 Triptych - Studies from the Human Body, 1970; pp. 1, 2, 47, 53, 54, 55, 65, 103, 119

70-06 Three Studies of the Male Back, 1970; pp. 12, 13, 35, 56, 105, 120

70-09 Triptych - Studies of the Human Body, 1970; pp. 1, 2, 12, 59, 103, 119-120

70-10 Triptych, 1970; pp. 1, 2, 11, 47, 54, 59, 103, 105, 119

71-01 Second Version of 'Painting' 1946, Museum of Modern Art, New York, 1971; pp. 12, 19, 21, 120

71-02 Lying Figure in a Mirror, 1971; pp. 13, 47, 120

71-03 Two Men Working in a Field, 1971; pp. 1, 2, 120

71-08 Study for Portrait of Lucian Freud (sideways), 1971; pp. 1, 120

72-01 Three Studies of Figures on Beds, 1972; pp. 46, 120

72-06 Portrait of Man Walking Down Steps, 1972; pp. 29, 120

72-07 Triptych August 1972, 1972; pp. xv, 36, 56, 104, 106, 120

73-01 Three Portraits - Posthumous Portrait of George Dyer; Self-Portrait; Portrait of Lucian Freud, 1973; pp. 36, 120

73-03 Triptych May-June, 1973; pp. 12, 16, 30, 54, 57, 104, 120

74-02 Triptych March 1974, 1974; pp. 53, 65, 105, 121

74-03 Seated Figure, 1974; pp. 16, 121

74-04 Sleeping Figure, 1974; pp. 44, 121

75-07 Three Figures and Portrait, 1975; pp. 16, 121

76-05 Triptych, 1976; pp. 16, 30, 53, 121

76-12 Figure at a Washbasin, 1976; pp. 11, 57, 101-103, 105, 121

78-01 Painting, 1978; pp. 10, 24, 106, 121

79-01 Triptych - Studies of the Human Body, 1979; p. 121

79-03 Jet of Water, 1979; pp. xiii, 23, 121

79-05 Sphinx - Portrait of Muriel Belcher, 1979; pp. 23, 121

80-06 Carcass of Meat and Bird of Prey, 1980; p. 122

81-02 Study of a Man Talking, 1981; p. 122

81-04 Sand Dune, 1981; pp. xiii, 23, 122

82-01 Study of the Human Body, 1981 - 1982; p. 122

82-05 A Piece of Waste Land, 1982; pp. xiii, 23, 122

82-06 Study for Self-Portrait, 1982; p. 122

82-08 Study from the Human Body - Figure in Movement, 1982; p. 122

83-02 Study from the Human Body, 1983; p. 122

83-03 Oedipus and the Sphinx after Ingres, 1983; p. 122

83-04 Statue and Figures in a Street, 1983; p. 122

83-05 Sand Dune, 1983; pp. xiii, 23, 123

83-07 Triptych, 1983; p. 122

84-02 Diptych 1982-84: Study from the Human Body 1982-84; Study of the Human Body - from a Drawing by Ingres 1982, 1982 - 1984; p. 122