Francis Bacon: The Early and Middle Years, 1928-1958

29-01 'Watercolour', 1929; p. 26; ill. No. 21, unpaged (b&w)

29-02 'Gouache', 1929; p. 11; ill. No. 5, unpaged (b&w)

30-01 'Painted Screen', 1930; pp. 11-12 (dated 'c.1929'), 47; ill. No. 8, unpaged (b&w)

30-02 'Painting', 1930; p. 13 (dated 'c.1929-30'); ill. No. 9, unpaged (b&w)

30-03 'Portrait', 1930; p. 14 (dated 'c.1931-32'); ill. No. 10, unpaged (b&w)

33-01 Crucifixion, 1933; pp. 1, 18-20, 22, 182; ill. No. 11, unpaged (b&w)

33-02 After Picasso, 'La Danse', 1933; pp. 1, 18, 20-22, 24; ill. No. 14, unpaged (titled 'Crucifixion', b&w)

33-03 The Crucifixion, 1933; pp. 1, 18, 20-22; ill. No. 16, unpaged (b&w)

33-04 Composition (Figure), 1933; pp. 23-25; ill. No. 17, unpaged (b&w)

33-05 Composition (Figures), 1933; pp. 23-25; ill. No. 19, unpaged (b&w)

34-01 Corner of the Studio, 1934; p. 26; ill. No. 21, unpaged (b&w)

34-02 Interior of a Room, 1934; pp. 24-25 (dated '1933'); ill. No. 20, unpaged (b&w)

35-01 Figures in a Garden, 1935; pp. 31, 34, 36-39, 68; ill. No. 29, unpaged (dated 1936) (b&w)

36-01 Studio Interior, 1936; pp. 26-28 (dated 'c.1934'); ill. No. 22, unpaged (b&w)

36-02D Abstraction, 1936; pp. 31, 34-35; ill. No. 25, unpaged (b&w)

36-03D Abstraction from the Human Form, 1936; pp. 31, 34-35; ill. No. 26, unpaged (b&w)

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 12-15, 26-29, 34-36, 41-54, 56-57, 64-65, 68-69, 75, 83, 94-95, 97, 168-169, 174, 177, 180-181; ill. No. 36A, unpaged (left panel, b&w), No. 36B, unpaged (centre panel, b&w), No. 36C, unpaged (right panel, b&w)

45-01 Man in a Cap, 1945; pp. 39-40 (dated '1941-2'); ill. No. 30, unpaged (b&w)

45-02 Seated Man, 1945; pp. 40-41 (dated '1941-2?'); ill. No. 32, unpaged (b&w)

45-03 Man Standing, 1945; p. 41 (dated '1941-2?'); ill. No. 34, unpaged (b&w)

45-05 Figure in a Landscape, 1945; pp. 42, 64-65, 92, 119-120, 140, 180; ill. No. 39, unpaged (b&w)

45-06 Study for a Figure, 1945; p. 49 (dated 'c. 1944'); ill. No. 38, unpaged (b&w)

46-01 Figure Study I, 1945 - 1946; pp. 67-68, 70, 180; ill. No. 40, unpaged (b&w)

46-02 Figure Study II, 1945 - 1946; pp. 42, 64, 67-70, 72, 77, 94, 181; ill. No. 41, unpaged (b&w)

46-03 Painting 1946, 1946; pp. 39-40, 42, 70-77, 83, 85, 95, 105, 116, 159, 181, 182; ill. No. 42, unpaged (b&w)

46-04 Landscape with Car, 1945 - 1946; pp. 41-42 (dated '1941-2?'), 49, 65-66, 177; ill. No. 35, unpaged (earlier iteration 'Figure Getting out of a Car', b&w)

46-05 'Landscape with Pope/ Dictator', 1946; p. 159

48-01 Head I, 1948; pp. 56, 77-78, 81-82, 84, 87-88, 97, 102, 128, 182, 185; ill. No. 45, unpaged (b&w)

48-02D Study for Man with Microphones, 1946 - 1948; pp. 75, 180; ill. No. 44, unpaged (b&w)

49-01 Head II, 1949; pp. 56, 77-79, 81-82, 84-85, 87-88, 95, 97, 102, 128; ill. No. 46, unpaged (b&w)

49-02 Head III, 1949; pp. 56, 77-78, 80-82, 84-85, 87-88, 95, 97, 102, 128; ill. No. 47, unpaged (b&w)

49-03 Head IV (Man with a Monkey), 1949; pp. 56, 77-78, 80-82, 84, 87-88, 95, 97, 102, 128; ill. No. 48, unpaged (b&w)

49-04 Head V, 1949; pp. 56, 77-78, 80, 82-84, 87-88, 95, 97, 102, 128, 182; ill. No. 49, unpaged (b&w)

49-07 Head VI, 1949; pp. 56, 77-78, 80, 83-88, 95-97, 104, 111, 159, 182; ill. No. 50, unpaged (b&w)

49-08 Study from the Human Body, 1949; pp. 82, 95, 127-129, 188; ill. No. 81, unpaged (b&w)

49-09 Study for a Portrait, 1949; pp. 88-89, 137; ill. No. 54, unpaged (b&w)

50-02 Fragment of a Crucifixion, 1950; pp. 89-93, 94, 126, 145; ill. No. 55, unpaged (b&w)

50-04 Study after Velázquez, 1950; pp. 97-116, 104-106, 159; ill. No. 57, unpaged (b&w)

50-05 'Study after Velázquez', 1950; pp. 104, 159

50-06 Painting, 1950; pp. 129-130; ill. No. 84, unpaged (b&w)

51-03 Study for Nude, 1951; pp. 130-131, 188; ill. No. 87, unpaged (b&w)

51-04 Portrait of Lucian Freud, 1951; pp. 137-138, 157; ill. No. 96, unpaged (b&w)

51-05 Pope I, 1951; pp. 97-116, 133, 164; ill. No. 59, unpaged (b&w)

51-06 Pope II, 1951; pp. 97-116, 133, 159, 164; ill. No. 60, unpaged (b&w)

51-07D Pope III, 1951; pp. 97-116, 133, 159, 164; ill. No. 61, unpaged (b&w)

52-01 Study for Crouching Nude, 1952; pp. 132-133, 156, 161, 164; ill. No. 89, unpaged (b&w)

52-03 Dog, 1952; pp. 145-146; ill. No. 109, unpaged (b&w)

52-04 Landscape, 1952; pp. 140-141

52-05 Study of a Head, 1952; pp. 97-116, 159; ill. No. 62, unpaged (b&w)

52-06 Study for a Portrait, 1952; p. 159; ill. No. 63, unpaged (b&w)

52-07 Study for a Head, 1952; pp. 97-116, 159; ill. No. 64, unpaged (b&w)

52-09 Study for a Portrait, 1952; p. 108; ill. No. 65, unpaged (b&w)

52-11 Landscape, 1952; pp. 140-141

52-12 Study of Figure in a Landscape, 1952; pp. 140-141, 143; ill. No. 104, unpaged (b&w)

52-14 Elephant Fording a River, 1952; pp. 143

52-15D Rhinoceros, 1952; pp. 143-144, 188; ill. No. 106, unpaged (b&w)

52-16 Dog, 1952; pp. 146-147, 188; ill. No. 110, unpaged (b&w)

52-17 Dog, 1952; pp. 144-145, 147

52-18 Landscape, South of France, 1952; pp. 140-141, 145

53-01 Study of a Nude, 1952 - 1953; pp. 135-137, 188-189; ill. No. 94, unpaged (b&w)

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; pp. 21, 80, 104-105, 109, 113-114, 159; ill. No. 66, unpaged (b&w)

53-03 Study for a Portrait, 1953; p. 166; ill. No. 76, unpaged (b&w)

53-06 Man with Dog, 1953; pp. 144-145, 147-148; ill. No. 111, unpaged (b&w)

53-07 Study for Portrait I, 1953; pp. 48, 97-116; ill. No. 68, unpaged (b&w)

53-08 Study for a Portrait II, 1953; pp. 48, 97-116; ill. No. 69, unpaged (b&w)

53-09 Study for Portrait III, 1953; pp. 48, 97-116; ill. No. 70, unpaged (b&w)

53-10 Study for Portrait IV, 1953; pp. 48, 97-116; ill. No. 71, unpaged (b&w)

53-11 Study for Portrait V, 1953; pp. 48, 97-116; ill. No. 72, unpaged (b&w)

53-12 Study for Portrait VI, 1953; pp. 48, 78, 97-116, 159; ill. No. 73, unpaged (b&w)

53-13 Study for Portrait VII, 1953; pp. 48, 97-116, 159; ill. No. 74, unpaged (b&w)

53-14 Study for Portrait VIII, 1953; pp. 48, 97-116; ill. No. 75, unpaged (b&w)

53-15 Sphinx I, 1953; p. 189; ill. No. 99, unpaged (b&w)

53-17 Study of a Baboon, 1953; pp. 132, 143

53-20 Study of Figure in a Room, 1953; pp. 135; ill. No. 92, unpaged (b&w)

53-23 Three Studies of the Human Head, 1953; pp. 138-139, 152; ill. No. 100, unpaged (b&w)

53-24 Two Figures, 1953; pp. 148-153, 157, 188, 190; ill. No. 115, unpaged (b&w)

53-30 Monkey, 1953; p. 189

53-32 'Pope', 1953; pp. 97-116, 159

54-01 Two Figures in the Grass, 1954; pp. 153, 156, 190; ill. No. 118, unpaged (b&w)

54-05 Man in Blue I, 1954; pp. 48, 186

54-06 Man in Blue II, 1954; pp. 48, 186

54-07 Man in Blue III, 1954; pp. 48, 186

54-08 Man in Blue IV, 1954; pp. 48, 186

54-09 Man in Blue V, 1954; pp. 48, 186

54-10 Man in Blue VI, 1954; pp. 48, 186

54-11 Man in Blue VII, 1954; pp. 48, 186

54-13 Study of a Dog, 1954; pp. 144-145, 148, 156; ill. No. 113, unpaged (b&w)

54-14 Figure with Meat, 1954; pp. 97-116, 159

54-15 Pope, 1954; pp. 97-116; ill. No. 78, unpaged (dated '1955', b&w)

54-19 A Performing Dog, 1954; p. 190

55-01 Study for Portrait I (after the Life Mask of William Blake), 1955; p. 155

55-02 Study for Portrait II (after the Life Mask of William Blake), 1955; p. 155

55-03 Study for Portrait III (after the Life Mask of William Blake), 1955; p. 155

55-05 Small Study for Portrait, 1955; pp. 97-116, 159

55-06 Study for a Head, 1955; pp. 97-116

55-08 Chimpanzee, 1955; pp. 116, 132, 143, 189; ill. No. 77, unpaged (b&w)

55-10 Study for Portrait IV (after the Life Mask of William Blake), 1955; p. 155

55-11 Study for a Pope, 1955; pp. 97-116, 159

55-12 Man with Head Wound, 1955; pp. 97-116

55-13 Figure Sitting, 1955; pp. 97-116, 159

55-14 Head with Raised Arm, 1955; pp. 97-116

55-15 Study, 1955; pp. 97-116

56-03 Study for Portrait of Van Gogh I, 1956; pp. 69, 118, 155-156, 158, 162-164, 170, 191; ill. No. 120, unpaged (b&w)

56-05 Study for Portrait II, 1956; pp. 97-116

56-06 Study for Portrait I, 1956; pp. 97-116

56-07 Man Carrying a Child, 1956; p. 26; ill. No. 21, unpaged (b&w)

56-08 Study for Portrait V (after the Life Mask of William Blake), 1956; p. 155

57-01 Figures in a Landscape, 1956 - 1957; pp. 133, 156-157, 161, 188; ill. No. 121, unpaged (b&w)

57-02 Study for Figure IV, 1956 - 1957; p. 157

57-08 Study for the Nurse in the film Battleship Potemkin, 1957; pp. 68-69, 116-119, 157; ill. No. 79 (b&w), unpaged

57-09 Study for Chimpanzee, 1957; p. 132

57-10 Study for Portrait of Van Gogh II, 1957; pp. 69, 118, 155-160, 162-163, 170; ill. No. 122, unpaged (b&w)

57-11 Study for Portrait of Van Gogh III, 1957; pp. 69, 118, 155-163, 170; ill. No. 123, unpaged (b&w)

57-12 Study for Portrait of Van Gogh IV, 1957; pp. 69, 118, 155-159, 162-163, 170; ill. No. 124, unpaged (b&w)

57-13 Study for Portrait of Van Gogh V, 1957; pp. 69, 118, 155-157, 161-163, 170; ill. No. 125, unpaged (b&w)

57-14 Study for Portrait of Van Gogh VI, 1957; pp. 69, 118, 155-157, 161-163, 170; ill. No. 126, unpaged (b&w)

57-15 Van Gogh in a Landscape, 1957; pp. 69, 118, 155-157, 161-163 (referred to as part of series 'Study for Portrait of Van Gogh'), 170; ill. No. 127, unpaged (b&w)

57-16 Figure in a Landscape (Miss Diana Watson), 1957; pp. 139-140, 143 (titled 'Miss Diana Watson'); ill. No. 102, unpaged (b&w)

57-18 Van Gogh Going to Work, 1957; pp. 69, 118, 155-157, 162-165 (referred to as part of series 'Study for Portrait of Van Gogh'), 170; ill. No. 128, unpaged (b&w)

57-19 Study for Portrait of P.L. No. 1, 1957; p. 164

57-20 Study for Portrait of P.L. No. 2, 1957; pp. 164-165; ill. No. 129, unpaged (b&w)

58-04 Head II, 1958; p. 165; ill. No. 130, unpaged (b&w)

58-05 Seated Man, Orange Background, 1958; pp. 166-167; ill. No. 131, unpaged (b&w)

58-06 Lying Figure, 1958; pp. 166-167

59-02 Lying Figure, 1959; p. 164; ill. No. 132, unpaged (b&w)

59-03 Two Figures in a Room, 1959; p. 164

59-05 Reclining Figure, 1959; p. 164

61-04 Paralytic Child Walking on all Fours (from Muybridge), 1961; p. 134

62-04 Three Studies for a Crucifixion, 1962; pp. 47-48

64-10 Three Figures in a Room, 1964; p. 178

65-01 Crucifixion, 1965; p. 17

66-02 Portrait of George Dyer Staring at Blind-Cord, 1966; p. 3

66-05 Three Studies for Portrait of Lucian Freud, 1966; p. 164

67-15D Portrait of George Dyer and Lucian Freud, 1967; pp. 21, 182

67-16 Triptych, 1967; pp. 47, 164, 174

68-08 Two Figures Lying on a Bed with Attendants, 1968; pp. 3, 164, 178 (titled 'Triptych - Two figures lying on a bed with attendants')

69-07 Three Studies of Lucian Freud, 1969; p. 164

70-04 Triptych - Studies from the Human Body, 1970; p. 149

70-06 Three Studies of the Male Back, 1970; p. 164

71-09 In Memory of George Dyer, 1971; p. 174 (dated '1972')

72-01 Three Studies of Figures on Beds, 1972; pp. 149, 190

72-07 Triptych August 1972, 1972; pp. 26, 149, 190

73-03 Triptych May-June, 1973; pp. 26, 42, 80, 131, 188

73-09 Two Figures with a Monkey, 1973; pp. 149, 190