British Art in the 20th Century: The Modern Movement
Details
Publisher:
Munich: Prestel-Verlag
Year:
1986
Language: English
Pages: 457
ISBN/ISSN: 3791307983
Format: Hardback
Contents
Andrew Causey, 'Formalism and the Figurative Tradition in British Painting', pp. 15-30
Richard Cork, 'The Emancipation of Modern British Sculpture', pp. 31-52
Charles Harrison, 'Critical Theories and the Practice of Art', pp. 53-62
Richard Cork, 'Machine Age, Apocalypse and Pastoral', pp. 63-72
Dawn Ades, 'Figure and Place: A Context for Five Post-War Artists', pp. 73-82
Caroline Tisdall, 'Art Controversies of the Seventies', pp. 83-88
Robert Rosenblum, 'British Twentieth-Century Art: A Transatlantic View', pp. 89-98
Paintings
44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 24, 308, 420; ill. No. 8, p. 24 (b&w)
46-02 Figure Study II, 1945 - 1946; pp. 308-309; ill. No. 226, p. 312
46-03 Painting 1946, 1946; p. 420
49-07 Head VI, 1949; pp. 309, 420
50-06 Painting, 1950; p. 309; ill. No. 227, p. 313
51-04 Portrait of Lucian Freud, 1951; ill. No. 228, p. 314
57-14 Study for Portrait of Van Gogh VI, 1957; p. 420; ill. No. 230, p. 316
59-09 Sleeping Figure, 1959; ill. No. 229, p. 315
65-03 Study from Portrait of Pope Innocent X, 1965; p. 309; ill. No. 231, p. 317
67-16 Triptych, 1967; pp. 76, 308-309
67-17 Three Studies of Isabel Rawsthorne, 1967; p. 309; ill. No. 232, p. 318
70-06 Three Studies of the Male Back, 1970; p. 309; ill. No. 233, p. 319 (left hand panel), p. 320 (cenre panel), p. 321 (right hand panel)