Francis Bacon Bibliography

'London Commentary: You Can't Write Off the British'

'The New Romanticism in British Painting'

'Art News from London: Style and Bacon'

'Recent Works by Moore and Bacon'

'Francis Bacon'

'London: Francis Bacon a Second Fuseli'

'London'

'Los Angeles: Bacon, Bloom, Lebrun'

'More Than Meets the Camera's Eye'

'Exhibitions in London'

'Francis Bacon as a Mannerist'

'Lettre de Suisse'

'Los Angeles Newsletter'

'Paris Letter'

'Francis Bacon and "The Waste Land"'

'Le Francis Bacon de Gilles Deleuze'

'Provoking Accidents, Prompting Chance'; and essays: 'Francis Bacon at Work'

'Francis Bacon: The Anatomy of Enigma'

'Could There be a School of London?'

'Francis Bacon: Reality Conveyed by a Lie'

'Summer Ghosts'

'Entretiens avec Francis Bacon 1963-89'

'In Francis Bacon's Studio'

'The Crucifixion in Bacon's Art: 'A Magnificent Armature''

'An Interview with Francis Bacon: Provoking Accidents, Prompting Chance'

'Under Bacon's Black Sun'

'Francis Bacon: Full Face and in Profile, by Michel Leiris'

'Francis Bacon'

'Francis Bacon'

'Pintar como vivir'

'Arme Bestie Mensch: Francis Bacons Bilder von Leid und Lust des Fleisches in einer Retrospektive in Paris'

'Bacon's Love of Painting Clouds his Anxious Vision'

'Francis Bacon'

'Mr. Francis Bacon in the Woodshed'

'The Artist Who Found Truth in Extremes'

'Moore had the One Thing that Bacon Lost: A Trace of Hope'

'British Art Today'

'Francis Bacon' by John Rothenstein and Ronald Alley'

'Poetry of Vision'

'New York'

'Book of Daniel'

'He Saw his Homosexuality as a Tragedy and Pain'

'Circumspect Approach'

'We Forget That He Could Not Draw'

'An Old Man's Metier'

'Francis Bacon: The Logic of Sensation'

'Francis Bacon, Marlborough'

'Gilles Deleuze: Logica della sensazione'

'Why Bacon is a Great Artist'

'Francis Bacon'