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The literature on Francis Bacon is large and ever expanding. While Bacon has been vividly discussed during his lifetime, after his death the uncovering of sketches by the artist, a rediscovery of paintings previously lost or presumed destroyed, and the reconstruction of his studio in Dublin have prompted a growing number of new studies, articles and exhibitions. Francis Bacon: Catalogue Raisonné, published by The Estate of Francis Bacon in 2016 contains a comprehensive bibliography of writing on the artist, which forms the basis of the present section on francis-bacon.com. The Estate of Francis Bacon is currently in the process of digitising, editing, expanding and updating this bibliography and new entries will be uploaded on a regular basis.

You can filter the entries by publication type, and sort them by authoryear and title. You can find more information on the Francis Bacon Bibliography in our Notes for Users.

The online platform Library Hub Discover (access here) holds information about the location of publications in libraries across the UK and Ireland.

 

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'La belleza obscena'

Antonio Saura, Diario 16, 1992, Spanish

'Una zona inhóspita'

Antonio López, Diario 16, 1992, Spanish

'El maestro'

Anish Kapoor, Diario 16, 1992, Spanish

'Francis Bacon, il "sublime" nello specchio deformante'

Anna D'Elia, La Gazzetta del Mezzogiorno, 1992, Italian

'Ha dipinto l'angoscia'

Paolo Rizzi, Il Gazzettino, 1992, Italian

'L'ultimo Michelangelo'

Lorenza Trucchi, Il Giornale, 1992, Italian

'Un pintor en acción'

Grey Gowrie, El Mundo, 1992, Spanish

'Bacon, un génie formé dans la nuit du Blitz'

Tim Hilton, Courrier International, 1992, French

'Schreckensbilder des Menschen'

Dirk Schwarze, Hessische Allgemeine, 1992, German

'La mort dans le miroir'

Michel Guilloux, L'Humanité, 1992, French

'Bacon, sublime e maledetto'

Ela Caroli, L'Indipendente, 1992, Italian

'Francis Bacon, 82, Painter of Distorted Forms'

Author Unknown, International Herald Tribune, 1992, English

'Un obsédé de la peinture'

Laurence Chauvy, Journal de Genève, 1992, French

'Schmerz der Erkenntnis'

Amine Haase, Kölner Stadt-Anzeiger, 1992, German

'Editorial: L'inclassable'

Hervé Gauville, Libération, 1992, French

'Francis Bacon, la fin des sensations'

Hervé Gauville, Libération, 1992, French

'L'uomo che guardó in faccia la Medusa'

Antonio Pinelli, Il Messaggero, 1992, Italian

'Coltissimo, feroce, ammante del caos'

Costanzo Costantini, Il Messaggero, 1992, Italian

'Atormentado y remoto'

Juan J. Lima, El Mundo, 1992, Spanish

'Su reino por mis Meninas'

Juan Gomez Soubrier, El Mundo, 1992, Spanish

'The Writhing Images of Francis Bacon'

Michael Kimmelman, International Herald Tribune, 1992, English

'La expresión visceral'

Antonio López, El Observador, 1992, Spanish

'Francis Bacon et la beauté obscène'

Antonio Saura, Les carrés d'art series, 1996, French

'Bacon's Tortured Vision'

Terry Grimley, Post, 1992, English

'Un porte-lumière'

Pierre Daix, Le Quotidien de Paris, 1992, French

'Francis Bacon, l'arte dell'ossessione'

Roberto Tassi, La Repubblica, 1992, Italian