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Exhibition catalogue

By James Beechey (ed.) and Chris Stephens (ed.)
Details
Publisher:
London: Tate Publishing
Contents
James Beechey, 'Picasso and Britain', pp. 10-19
Christopher Green, 'The Picassos of British Criticism c.1910-c.1945', pp. 20-29
Andrew Brighton, 'The Politics of Picasso in Cold War Britain', pp. 30-39
Chris Stephens, 'Cooper's Capers and their Consequences for Picasso, Penrose and the Tate' [interview with John Richardson], pp. 41-50
James Beechey, 'Picasso in Britain 1910-1914', pp. 52-61
James Beechey, 'Duncan Grant and Picasso', pp. 62-71
Richard Humphreys, 'Wyndham Lewis and Picasso', pp. 72-81
James Beechey, 'Picasso in Britain 1919', pp. 82-91
Christopher Green, 'Ben Nicholson and Picasso', pp. 92-102
James Beechey, Patrick Elliott, Helen Little, Chris Stephens, 'Picasso in Britain 1920-1939', pp. 104-129
Christopher Green, 'Henry Moore and Picasso', pp. 130-149
Chris Stephens, 'Francis Bacon and Picasso', pp. 150-161
Helen Little, 'Picasso in Britain 1937-1939', pp. 162-171
Chris Stephens, 'Graham Sutherland and Picasso', pp. 172-183
Helen Little, 'Picasso in Britain 1945-1960', pp. 184-197
Chris Stephens, 'David Hockney and Picasso', pp. 198-212
Details
Publisher:
New York: Tony Shafrazi Gallery
Contents
John Edwards, 'Eggs was a Diamond', p. 7
Tony Shafrazi, 'Introduction', pp. 10-13
Sam Hunter, 'Francis Bacon's Endgame: Humanism Revisited', pp. 14-[23]
David Sylvester, 'The Supreme Pontiff' [revised version published in: David Sylvester: Looking back at Francis Bacon. London: Thames & Hudson, 2000], pp. 24-77
Michael Peppiatt, 'Extracts from "Francis Bacon: Anatomy of an Enigma"', pp. 78-83
Paintings
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