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Exhibition catalogue

By Susan Compton (ed.)
Details
Publisher:
Munich: Prestel-Verlag
Contents
Andrew Causey, 'Formalism and the Figurative Tradition in British Painting', pp. 15-30
Richard Cork, 'The Emancipation of Modern British Sculpture', pp. 31-52
Charles Harrison, 'Critical Theories and the Practice of Art', pp. 53-62
Richard Cork, 'Machine Age, Apocalypse and Pastoral', pp. 63-72
Dawn Ades, 'Figure and Place: A Context for Five Post-War Artists', pp. 73-82
Caroline Tisdall, 'Art Controversies of the Seventies', pp. 83-88
Robert Rosenblum, 'British Twentieth-Century Art: A Transatlantic View', pp. 89-98
By Armin Zweite (ed.)
Details
Publishers:
Düsseldorf: K20 Kunstsammlung Nordrhein-Westfalen
Munich: Hirmer
Contents
Peter Bürger, 'Das Porträt als Problem der bildkünstlerischen Moderne: Bacon, Picasso und der surrealistische Impuls', pp. 29-36
Martin Harrison, 'Francis Bacon: Extrempunkte des Realismus', pp. 37-55
, 'Bacons Schrei: Beobachtungen zu einigen Gemälden des Künstlers', pp. 69-104
Frank Laukötter, Maria Müller, 'Gemälde 1945-1991 mit Werkkommentaren', pp. 105-194
Daria Kolacka, 'Bild - Affekt: Bacon, Stein und Eisenstein', pp. 203-212
Armin Zweite, 'Zufall, Instinkt und Inspiration, Affekt und Unbewusstes: Bacons ästhetische Vorstellungen - Sieben Anmerkungen', pp. 213-236
By Rudy Chiappini (ed.)
Details
Publisher:
Milan: Skira
Contents
Rudy Chiappini, 'Beauty Will Be Convulsed or Will Not Be', pp. 25-39
Fabrice Hergott, 'Francis Bacon's "Modus Creandi"', pp. 41-52
Christoph Heinrich, 'The Body as Vessel: the Small Portraits', pp. 55-67
Jean Louis Schefer, 'What Kind of Resemblance?', pp. 69-79
Barbara Dawson, 'Trace Elements: Francis Bacon's Studio in Dublin', pp. 177-187
Luciano Caprile, 'Works on Paper', pp. 209-213
Gaia Regazzoni, 'Chronology', pp. 223-227
Francesca Marini, 'Catalogue of Works', pp. 229-244
By Judith Winter (ed.)
Details
Publisher:
Middlesbrough: Middlesbrough Institute of Modern Art (MIMA)
Contents
Michael Archer, 'What is to come', pp. 6-8
Gordon Burn, 'Pablo Picasso/Chantal Joffe: Is this woman real?', pp. 10-13
Jennifer Higgie, 'Henri Matisse/Chris Ofili: lips become leaves', pp. 38-41
Michael Corris, 'Marcel Duchamp/Ceal Floyer: Inventing Conceptual Art and Making it Commonplace', pp. 60-63
David Beech, 'Jackson Pollock/DJ Simpson: Paintings Like Us', pp. 80-83
Judith Winter, 'Francis Bacon/Damien Hirst: Private Lives: drawings, sketches, notes', pp. 98-101
Godfrey Worsdale, Gavin Turk, 'Andy Warhol/Gavin Turk: Authorship and Drawing', pp. 116-119
Martha Kapos, 'Joseph Beuys/David Musgrave: Dead Things Talk', pp. 146-149
Details
Publisher:
Paris: Galerie Lelong
Contents
David Sylvester, 'Francis Bacon: Les premiers Papes', pp. 6-9
Louise Bourgeois, 'Francis Bacon', pp. 21-23
Antonio Saura, 'Bacon et l'espace', pp. 29-33
David Sylvester, 'The Earliest Popes', pp. 41-44
Louise Bourgeois, 'Francis Bacon', pp. 45-47
By Achille Bonito Oliva (ed.)
Details
Publisher:
Milan: Electa
Contents
David Sylvester, 'Bacon's Course', pp. 19-86
David Mellor, 'Francis Bacon: Affinities, Contexts and the British Visual Tradition', pp. 95-104
Gilles Deleuze, 'The Logic of Sensation', pp. 105-112
Lorenza Trucchi, 'The Delirium of the Body', pp. 113-120
Daniela Palazzoli, 'Bacon, Photography and the Invisible Man', pp. 121-126
Paintings
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