Exhibition catalogue | Francis Bacon

29-01 'Watercolour', 1929; p. 77; ill. No. 50, p. 74 (b&w)

29-02 'Gouache', 1929; p. 77; ill. No. 53, p. 75 (b&w)

30-01 'Painted Screen', 1930; pp. 76-77; ill. No. 51, p. 75 (dated 'c. 1929', b&w)

33-01 Crucifixion, 1933; pp. 14, 85, 87, 92-93, 136-137, 140; ill. No. 80, p. 92 (b&w), ill. No. 158, p. 179

33-02 After Picasso, 'La Danse', 1933; pp. 134, 136-137; ill. No. 151, p. 173

33-03 The Crucifixion, 1933; pp. 136-137 (titled 'Golgotha')

33-04 Composition (Figure), 1933; p. 93; ill. No. 115, p. 125

33-05 Composition (Figures), 1933; p. 93; ill. No. 85, p. 95 (b&w)

34-01 Corner of the Studio, 1934; p. 96; ill. No. 81, p. 94 (b&w)

34-02 Interior of a Room, 1934; pp. 79, 93, 96, 106-107, 110, 116, 151; ill. No. 108, p. 119 (dated '1933-1935')

35-01 Figures in a Garden, 1935; pp. 110-111

36-01 Studio Interior, 1936; pp. 96, 106, 108; ill. No. 116, p. 126 (dated 'c. 1934')

36-02D Abstraction, 1936; pp. 107, 110-111, 113, 151; ill. No. 106, p. 113 (b&w)

36-03D Abstraction from the Human Form, 1936; pp. 107, 110-112, 113, 151; ill. No. 102, p. 110 (b&w)

44-01 Three Studies for Figures at the Base of a Crucifixion, 1944; pp. 14, 77, 87-88, 111, 134, 150-151, 161, 163-164, 169; ill. No. 168, pp. 192-193

44-02 'Fury', 1944; p. 151; ill. No. 167, p. 191 (titled 'Study for a Figure')

46-04 Landscape with Car, 1945 - 1946; pp. 108, 116, 151; ill. No. 100, p. 108 (earlier iteration, titled 'Figure Getting Out of a Car', b&w), No. 101, p. 108 (b&w)

49-01 Head II, 1949; p. 150; ill. No. 160, p. 181

49-07 Head VI, 1949; p. 214; ill. No. 41, p. 65

53-02 Study after Velázquez's Portrait of Pope Innocent X, 1953; p. 213

53-24 Two Figures, 1953; p. 46; ill. No. 26, p. 44

54-01 Two Figures in the Grass, 1954; p. 46

54-05 Man in Blue I, 1954; p. 43

54-06 Man in Blue II, 1954; p. 43

54-07 Man in Blue III, 1954; p. 43

54-08 Man in Blue IV, 1954; p. 43

54-09 Man in Blue V, 1954; p. 43

54-10 Man in Blue VI, 1954; p. 43

54-11 Man in Blue VII, 1954; p. 43

59-10 Study from Portrait of Pope Innocent X by Velásquez, 1959; p. 213

62-02 Study from Innocent X, 1962; p. 213

62-04 Three Studies for a Crucifixion, 1962; pp. 164-165

65-01 Crucifixion, 1965; pp. 150, 164; ill. No. 170, pp. 196-197

65-03 Study from Portrait of Pope Innocent X, 1965; p. 213

66-06 Study of Isabel Rawsthorne, 1966; ill. No. 31, p. 53

67-16 Triptych, 1967; p. 165

69-03 Lying Figure, 1969; ill. No. 176, p. 205

69-05 Study for Bullfight No 2., 1969; ill. No. 178, p. 207

71-09 In Memory of George Dyer, 1971; p. 104; ill. No. 120, pp. 130-131

71-11 Self-Portrait, 1971; ill. No. 32, p. 54

72-07 Triptych August 1972, 1972; ill. No. 97, pp. 102-103

72-09 Three Studies for Self-Portrait, 1972; ill. No. 2, pp. 16-17

75-09 Portrait of a Dwarf, 1975; p. 42

76-14 Portrait of Michel Leiris, 1976; ill. No. 35, p. 57

78-07 Study for Portrait (Michel Leiris), 1978; ill. No. 38, p. 61

81-03 Triptych Inspired by the Oresteia of Aeschylus, 1981; p. 164

82-01 Study of the Human Body, 1981 - 1982; ill. No. 45, p. 69 (dated '1982-84')

87-08 Study from the Human Body, 1987; p. 105; ill. No. 95, p. 100

88-05 Second Version of Triptych 1944, 1988; pp. 169-170; ill. No. 171, pp. 198-199