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Exhibition catalogue

By Matthew Gale (ed.) and Chris Stephens (ed.)
Details
Publisher:
London: Tate Publishing
Contents
Matthew Gale, Chris Stephens, 'On the Margin of the Impossible', pp. 14-27
Gary Tinterow, 'Bacon and His Critics', pp. 28-39
Martin Harrison, 'Bacon's Paintings', pp. 40-49
David Alan Mellor, 'Film, Fantasy, History in Francis Bacon', pp. 50-62
Simon Ofield, 'Comparative Strangers', pp. 64-73
Victoria Walsh, '"Real Imagination is Technical Imagination"', pp. 74-88
Paintings
By Michael Peppiatt (ed.)
Details
Publisher:
Milan: Federico Motta Editore
Contents
Anna Coliva, 'Caravaggio chiama Bacon: la bellezza del dolore' / 'Caravaggio Beckons to Bacon: the Beauty of Sorrow', pp. 17-24
Michael Peppiatt, 'Il sacro e il profano' / 'The Sacred and the Profane', pp. 25-43
Claudia Strinati, 'Bacon e Caravaggio: un'occasione di incontro' / 'Bacon and Caravaggio: the Occasion for an Encounter', pp. 45-49
Maurizio Calvesi, 'Caravaggio: l'arte eccelsa di un pittore calumniato' / 'Caravaggio: the Excellent Art of a Slandered Painter', pp. 51-65
Chris Stephens, '"Come un'ombra" : oscurità, vita e morte nell'arte di Francis Bacon' / '"Like a Shadow" : Darkness, Life and Death in the Art of Francis Bacon', pp. 67-83
Luigi Ficacci, 'Caravaggio Bacon: lo spazio e la realtà' / 'Caravaggio Bacon: Space and Reality', pp. 85-107
Paintings
By Logan Sisley (ed.)
Details
Publisher:
Göttingen: Steidl
Contents
Logan Sisley, 'Catalogue of Paintings', pp. 12-40
Martin Harrison, 'Unfinished Paintings', pp. 40-49
Barbara Dawson, 'Francis Bacon: A Terrible Beauty', pp. 50-69
Martin Harrison, 'Latent Images', pp. 70-87
Jessica O' Donnell, '"The Street ... the only Valid Field of Experience" : Francis Bacon and the Photography of John Deakin', pp. 88-121
Marcel Finke, '"I Don't Find It At All Violent Myself" : Bacon's Material Practice and the Human Body', pp. 122-133
Rebecca Daniels, 'Francis Bacon and Peter Beard: The Dead Elephant Interviews and Other Stories', pp. 134-151
Joanna Shepard, 'A Game of Chance: The Media and Techniques of Francis Bacon', pp. 152-175
Paintings
By Pilar Ordovas (ed.)
Details
Publisher:
London: Ordovas
Contents
Taco Dibbits, 'Rembrandt and Bacon: Portraits of the Artist by the Artist', pp. 9-22
Martin Harrison, 'Irrational Marks: Bacon and Rembrandt', pp. 26-48
By Anthony Bond (ed.)
Details
Publishers:
London: Thames & Hudson
Sydney: Art Gallery of New South Wales
Contents
Anthony Bond, 'Francis Bacon: Five Decades', pp. 17-30
Martin Harrison, Rebecca Daniels, 'Australian Connections', pp. 33-43
Margarita Cappock, 'Francis Bacon's Studio', pp. 44-63
Ernst van Alphen, 'Making Sense of Affect', pp. 65-73
Paintings
By Pilar Ordovas (ed.)
Details
Publisher:
London: Ordovas
Contents
Martin Harrison, 'Movement and Gravity: Bacon and Rodin in Dialogue', pp. 3-39
Paintings
Details
Publisher:
Oxford: Ashmolean Museum
Contents
Richard Calvocoressi, 'Moore and Bacon: Affinities', pp. 15-29
Martin Harrison, 'Bacon and Sculpture', pp. 31-47
Richard Calvocoressi, Catalogue of Works: Henry Moore, pp. 49-105
Martin Harrison, Catalogue of Works: Francis Bacon, pp. 107-147
Francis Warner, 'The Bones and the Flesh: Henry Moore and Francis Bacon', pp. 149-154
Paintings
By Michael Cary (ed.)
Details
Publisher:
New York: Gagosian Gallery
Contents
Richard Calvocoressi, 'Francis Bacon: Leaving Out', pp. 9-23
Colm Tóibín, 'Late Francis Bacon: Spirit and Substance', pp. 25-30
Richard Francis, 'Working with Francis Bacon', pp. 85-90
Mark Stevens, 'Blood on Pavement', pp. 94-97
Richard Calvocoressi, 'Martin Harrison in Conversation with Richard Calvocoressi', pp. 131-142
Eddy Batache, 'Francis Bacon and the Last Convulsions of Humanism', pp. 149-156
Jeffrey Bernard, Bruce Bernard, 'Sides of Bacon: A Portrait of the Artist by His Friends', pp. 161-166
, Selected Interviews, 1978-1992, pp. 167-201
Paintings
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